Q1. Does the proposal have to consist of a single sculptural object?
No. A proposal may bring together multiple installations, spatial interventions, research and documentation, participatory programmes, and processes that evolve over time as a single work.
Q2. Can a work change naturally or gradually disappear?
Yes. Seasonal and climatic conditions, vegetation, and changes in materials may all form part of the work. However, the proposal must explain how the work is expected to change, how it will be maintained, and how its life cycle will conclude.
Q3. Can I collaborate with local communities or ecological specialists?
The Open Call encourages collaboration with scientists, ecological specialists, local organizations and communities. If applicants are unable to engage local community partners or ecological specialists directly, they should specify the required area of expertise, role, scope of collaboration and estimated cost in their proposal. Based on this information, the project operator may help facilitate contact and consultations with relevant local organizations and specialists required for the project.
This assistance is limited to facilitating connections and consultations and does not include the provision of personnel or additional funding. Applicants should therefore include any anticipated collaboration costs within the artwork production and implementation support budget.
Q4. Are works incorporating video, sound or lighting elements eligible?
Yes. However, bright lighting, loud noise, strong vibrations and excessive media equipment that could disturb migratory birds, other wildlife or their habitats are not permitted.
Although the surrounding park is open throughout the year, access to the artwork may be restricted before sunrise and after sunset to protect wildlife. During the migratory bird season, from November to February of the following year, daytime access may also be restricted at the request of the relevant authorities.
Q5. Are works requiring continuous operation eligible?
No dedicated on-site operational staff will be provided. If the work requires continuous operation, the proposal must therefore explain how it can be operated, monitored and maintained safely and reliably.
For process-based works, please also explain how the work will be sustained, experienced by visitors, documented and maintained over its expected minimum lifespan of three to five years, as well as how it will eventually be concluded or decommissioned.
Q6. How are the artwork support budget and artist fee structured?
A total of KRW 380 million is provided to cover the production, implementation and installation of the artwork, as well as expenses related to the artist’s stay. Production-related costs will be disbursed directly by the project operator in consultation with the artist and in accordance with the finalized budget plan.
A separate artist fee of KRW 20 million will be paid. The artist fee covers the concept development and design of the artwork, artistic supervision during production and installation, participation in related programmes, and advice and cooperation on maintenance for one year following installation.
Q7. Can airfare, accommodation and visa application fees for international artists be included in the support budget?
Return economy-class airfare, expenses related to the artist’s stay in Korea, and visa application fees required to carry out the project may be included in the artwork production support budget. The detailed scope of eligible costs and the payment arrangements will be finalized in consultation with the project operator.
Selected artists will be provided with supporting documents required for their visa application, such as an invitation letter. However, artists are responsible for applying for and obtaining the appropriate visa. The organizer cannot guarantee that a visa will be issued or submit the application on the artist’s behalf.
Q8. Could a selected artwork be modified in response to environmental or ecological conditions?
The site lies within both a Heritage Protection Zone and a River Area and forms part of an ecologically sensitive park. Following selection, the location, scale, form, materials or installation method of the artwork may need to be adjusted depending on the outcomes of permitting procedures, site surveys and consultations with the relevant authorities.
Any such adjustments will be discussed fully with the artist, with the aim of preserving and respecting the work’s core concept and artistic integrity as far as possible. As these adjustments are a necessary part of enabling the artwork to coexist harmoniously with the site’s existing ecosystems and habitats, we ask for the selected artist’s understanding and cooperation.
Q9. What happens if a protected species or previously unidentified signs of habitat are discovered during installation?
Work in the affected area will be suspended while the relevant authorities and ecological specialists are consulted. Where necessary, the location of the artwork, installation method or schedule may be adjusted to protect the ecological environment.